Door frames and ceilings
1)- The inside of the front door
Lintel and jambs carry traditional prayers to Re-Horakhty, Amon-Ra, Thoth and Osiris.
2)- The door between the transverse and longitudinal rooms
The lintel bears an invocatory offering to twelve deities, those on the left representing the forms of Osiris
These are "Amon-Ra, Lord of the Thrones of the Two Lands in Karnak", "Anubis, who is upon his hill, Lord of To-djeser", "Re-Horakhty in heaven", "Osiris in Orion of the southern sky", "Hathor, Regent of Thebes in Karnak",
"Thoth, at the head of Igeret", "Osiris Lord of Life", "Osiris Onnuris", "Osiris, who is Gold of Millions", "Osiris, Lord of Eternity", "Osiris of the places of life",
"Osiris, Lord of Eternity", "Osiris of the places of life", "Osiris at the head of Tenenet in Tenenet". The six prayers on the jambs are made to Mut, Re-Atum-Horakhty, Amon, Amonet, and Osiris.
b)- Internal face
On the lintel, we read: "The hereditary prince, the companion who can approach the god (= the king), who is in the heart of Horus, Master of the Two Lands, the dignitary whose heart is open, the Sem-priest, the supervisor of all the ceremonial loincloths, the sab, the chief judge, the voice of Nekhen, the priest of Maat, the daily giver of Ma'at for the Lord of the Two Lands, the mayor of the City (= Thebes) the Vizier, Rekhmire He said: 'It is Hepet who relaxes the restraints that are on my mouth. It is the god of my city that comes forth as Thoth, fully equipped with my magic; he has released the Seth restraints that were on my mouth to oppose Atum.
After he (Thoth) has released the (magical restraints), my mouth is not closed, my mouth is opened by Ptah by this, his copper chisel, with which he opens his mouth the gods. I am Sekhem-outet who sits at the side of the great West of the sky. I am the goddess Sahyet, amid the great Baou of Heliopolis. As for the magic and all the words that I have spoken, the Gods stand before them the whole Ennead of Gods and the whole Ennead of Goddesses".
3)- The ceilings
These are very damaged, so that the decorative motifs are barely visible. As usual, longitudinal and transverse colour bands imitate wooden beams and bear texts:
The texts of the other bands are very fragmentary.