the site was occupied since prehistory with signs of an pre-paleolithic industry dating from about 7000 years B.C., and an important cemetery dating from the time of Nagada III (toward 3300 B.C.). Very numerous prehistoric graffiti also exist on the walls of the wadis.
Constantly occupied during Pharaonic times, the ruin of the city seems to date the VIIIth century, with the Arabian occupation. The scientists of the Expedition of Egypt could have still been able to see significant remains of local temples (which have since disappeared) and had already drawn up a plan of the site. The sebakh researchers found the mud bricks as a resultant manure and the stones of the monuments reused, giving today an impression an ancient city in total ruin and nearly reduced to nothing.
There are a few Temples left from the New Kingdom:
- THE CHAPEL OF THOT built by setau
at the time of Rameses II.
There has been a small courtyard in front of the Temple, but this is now destroyed.
On the wall Rameses II with Toth and Horus, on the other wall Toth in the form of Baboons.A statue with three seated persons at the back of the Temple is unfortunately heavily damaged.
- The Temple of Amenhotep III and Tuthmoses IV, a small Temple dedicated to Hathor and Nekhbet
The small Temple built by Amenhotep III and Tuthmosis IV, his father, is a Chapel for the Barque of Nekhbet, when she was brought there.
The Temple was also dedicated to Hathor. The Temple was restored in the time of Ramses II, there is a text,
written by Khaemwaset, the son of Ramses II. The color of the reliefs are well preserved.
There is only a single chamber with four Hathor head columns.At the left of the doorway, Amenhotep III and Tuthmosis IV are seated before offering tables.
At the right of the doorway also Amenhotep III and Tuthmosis IV
On the left wall Amenhotep III is offering, animals, birds, bread, fruit, wine and flowers.
And next Amenhotep III offers to Nekhbet, who is represented in the form of a Woman.
Behind is Horus of Hieraconpolis who gives Amonhotep III live.
On the south wall Amenhotep III is embraced by Amon-Ra,
The Sacred Barque and Offerings:
Nekhbet and Hathor everywere in the Temple:
Beside the Temple remains of the outsite Columns :
- The Temple built by Rameses II, restored by Ptolemies VIII-X and has a stela of Rameses II, cut into the facade. The reliefs inside the Temple are not very good preserved, but the reliefs near the steps and at the courtyard have been restored.
The Rockcut Temple originally built by Rameses II, restored by Ptolemies VIII-X. The steps leading up to it and the courtyard have been restored in modern times.
The remains of a rock stele of Rameses II worshipping Re- Harakhte and Nekhbet are at the Courtyard.
Beside the doorway remains of Ptolemeic Reliefs:The decoration inside consists of a series of Hathor Heads altennating with the Cartouches of the Pharaoh. The Temple was never finished, as can be seen from the uncompleted ceiling pattern of Vultures with spread wings.Beside the Temple are remains of other buildings and in the front the Chapel of Toth.
- Ahmose Son of Abana
Further, at the entry of the Wadi Hilal, one finds the repository chapel of Amenophis III, a Ptolemaic hémispéos (= a monument half dug into the cliff, half external structure), and a chapel from the days of Ramesses II.
A great many inscriptions and even engraved stelae also exist on the rocks the the region
The necropolis of El Kab provides the first information of importance about the beginnings of the 18th Dynasty. It shelters several tombs which include unique military chronicles on the expulsion of the Hyksos, notably from that of Ahmose son of Abana and the beautiful tomb of Paheri.
Indeed during the Second intermediate Period an important feudal family held the city, and seem to have given unfailing support for the Theban princes in their struggle against the Hyksos, commencing with Ahmosis (first king of the 18th Dynasty). These victorious princes did likewise for them. It was indeed fundamental to these sovereigns to preserve this city of Nekhen, to establish the legitimacy of their power.
El Kab is indeed the symbolic city of royalty of the South, its tutelary goddess Nekhbet being the counterpart of the goddess Uadjit, representing the North.
The goddess Nekhbet (= the one of Nekhen) was represented by a white vulture. These birds of prey, whose habitat is restricted to the desert, were easily differentiated from the eagle or milan by the white underside of their wings. Nekhbet is equated to the white crown of Upper Egypt.
At the time when Egypt was not yet unified, the ritual of crowning of the king of the South was certainly done in the original temple of El Kab.
From the 3rd Dynasty, the capital of unified Egypt became (and would always be administratively) Memphis. The establishment of the new king inevitably called on the symbols of the North and the South: the crown white, and also certain types of natron purifiers of the region.
|GODDESS OF ELK AB|
The goddess of El KAB "lady of the valley" or of "the double valley". her domain extended not only over the edges of the Nile but into the depths of the mountain of the east. In the tip of the desert delta,, there is even a temple erected by Amenophis III, toward which was transported, at the time of the festivals, the consecrated barque of Nekhabit. It was perhaps, there as a reminder of the day when the great goddess, coming from the area of the east, had made her entry or her re-entry in the land of Egypt, because she is also "lady of Punt". *The importance of the site suggests to us at least an excursion into the valley. Let us leave the great walls via the eastern door. Before this is a pile of overturned stones, as if by an explosion, constituting the only vestiges of a repository kiosk, constructed by one kings named Nectanebo of the XXXth Dynasty. Beyond the line of the railroad, the surface of the desert shows the traces of a necropolis of the Middle Kingdom, plundered during the past, (and which was explored by Quibell, in modern times) did not give much information of value. Toward the left, on the flank of the mountain, one sees the entrances of several tombs of the princes of El Kab and great priests of Nekhabit.
I the reliefs of Paheri and the historic importance of the biography of Ahmose, a naval officer who distinguished himself during the national war of liberation, at the beginning of the New Kingdom. Except for some tombs, this necropolis has been ravaged savagely; during Roman times, rectangular loculi were dug into the walls of the chambers; in modern times, some quarrymen extracted the stone throughout. One has the impression that the site has never been explored methodically and that, under the debris of the slopes, could hide intact burials; but one has also to understand, the amount of debris to be removed, that no one has yet tempted his luck there.
The east door.
On a platform which one reaches by a well constructed staircase, are the remains of a chapel of which the state of confusion and disorder doesn't do honour to the Service of Antiquities. The Ptolemies, it seems, only had to transform, into a place of divine worship, a former tomb close to which is engraved, in the rock, a stela to a son of Ramesses II, prince Setau. Besides, we find in this very place, some distance in front the mountain, a square kiosk, once preceded by a porch, and dedicated by the same prince to the god Thoth and to the other divinities of El Kab. The locals, always expeditious in local assimilation, called this kiosk El Hammam, which means the bath.
These are magnificent birds of prey when they hover, observing the ground to discover a prey, to the great terror of the birds which then hide themselves against the ground. The wings, of a large span, have their central part of white which shines in the sun and, even from afar, one can distinguish the vulture from the milan and falcon, also of large size which are also themselves "masters of the sky". In the Pharaonic temples, in the royal tombs, on the ceilings of the hypostyle halls and corridors, great vultures spread their multicoloured wings, like true heraldic motifs. One also sees them in the relief paintings of the temples, opening out their wings above the kings who preside, holding in their grasp protection emblems.
The great vulture of Nekhabit alternates, in this sublime role of guardian divinity, with the hawk of Horus or the sun disk flanked by the two uraeus snakes.
White vultures rarely meet out of their desert; we saw some however, on the sandy island, attracted by one or the others prey, and so if by chance an animal falls dead in any point of the valley, the whole group assembles to dismember the carcass. A young camel, killed by the train, was thus reduced to a vivid skeleton of whiteness in less than three days and the dogs attracted by the chance of a lifetime were severely held away from the quarry. The vultures haunt, from time immemorial, these big rock massifs of the valley.
Thirty or forty centuries of Pharaonic history took place and pilgrims of Roman times also came to engrave divine images followed of their name, in testimony to their reverence to the sacred vultures. At the upper part of the massifs, long whitish trails show that the great birds of prey are always faithful to their lodging of predilection.
Having passed the last hill, one quickly sees a small oblong construction which occupies the centre of the valley. This is no longer the core of a peripteral chapel, preceded once with a porch of which only the foundations can now be recognised at ground level. Amenophis III, the powerful sovereign of the 18th Dynasty, the Memnon of the legend whose colossi proclaim the title of King of the Kings, built this repository alter in a particularly sacred place, where the priests transported the goddess's holy ark at the time of the solemn processions. The bas-reliefs have kept a good part of their original painting and give an idea of that which could equal the beauty and splendour of the Luxor temple, also raised by Amenophis III.
Before leaving this colourful sanctuary, let's pass a swift eye on the graffiti of the facade; they come from various times. Prince Setau, son of Ramesses II finds himself part of it; a modern traveller, having some knowledge in hieroglyphics, had fun dating a protocol of Napoleon III. Such fantasies hardly harm the building; but what to think these travellers, from the beginning of the 19th century, who engraved their name in great letters throughout the reliefs of the inside, adding to it jokes of bad taste ?
Let's make even more steps in the direction of a road which looses itself eastward and that is especially frequented by the automotive trucks for exploitation of the mountain. During the war years) this road was the object of great works and it became a strategic way joining Luxor to Kosseir (Quseir) on the Red Sea and the first cataract further to the south.
We follow this road in the direction of Aswan to return towards the Nile, by taking the south borrowing the south diverticulum of the double valley. At approximately two kilometres from the temple of Amenophis III, we find the rock of the Borg el Hamam, of which a part has collapsed at a relatively recent time, and at the base of which can be made out some prehistoric engravings.
The road bends southwards to enter another valley which dominates with a height of two hundred and twenty-eight metres, in the form of natural pyramid.
We appropriately leave the domain of Nekhabit by a path frequented at least since the 4th Dynasty and which lead to the region of the gold mines. Mr. Green found, on a terrace commanding this route, a guard shelter near to which the name of Kheops is engraved in the rock. The mountain has been scraped and has been worked almost everywhere, even rather high on the slopes. Since many surface deposits of phosphate are located in the region, people come with their camels to take full loads which they pour on to the fields or load on barges. The intensity of this traffic is marked by the numerous tracks which intersect on the ground, where the footprints of animals and naked feet of the drovers are imprinted.
Soon we emerge into a vast plain in the middle of which rises more independent hills and which only closes several kilometres to the east. Such a region could be comfortably be given over to culture by irrigation works analogous to those which, for less then half a century, made the whole deserts of Kom Ombo a verdant province.